[color=navy]Roger Avary, guionista de la adaptación, ha visitado junto con su hijo el set de rodaje de la película, en Toronto. Además de dar fé de la grandiosidad del lugar, el "Silent Hill Feeling" y el gran trabajo de sus compañeros de proyecto, ha disparado todas las alarmas mencionando su encuentro con "Red Pyramid". Podría ser irónico o una pista como adelanto.
Tambien ha podido ver una secuencia recien salida del horno, la cual según él, no deja lugar a dudas del estilo Gans de la cinta. Podríamos deducir pues, que el estilo será parecido al demostrado en "El pacto de los lobos", así que quien haya visto es película, podrá tener alguna idea de la dinámica que adoptará la película de Silent Hill.[/color]
Silent Hill set visit. I'm here in Toronto visiting the set of Silent Hill. The soundstages are filled with the amazing work of Carol Spier -- giant, vaulted, three-story interiors as well as numerous winding corridors that are representations straight out of the game. I can't show you any pictures, because photography is harshly restricted -- but I can tell you with no hesitation that they are simply HUGE. Seeing the nine-foot-tall Red Pyramid wander around alongside the four-foot gray children somehow makes the mood on the set oddly joyful. The funniest part was during lunch, watching the colorless, drab-looking Silent Hill inhabitants (costumed to a apocalyptic perfection by Wendy Partridge) mulling about with their trays of food. Later, editor Sebastien Prangere shows me and my daughter some cut footage -- and it's striking, even though it hasn't yet been treated with the many layers of effects and filters that will give it the Silent Hill feel. The most difficult part for me is that I constantly have the urge to walk up and start giving direction -- but I'm just a writer on this set, and there's only room for one captain of the ship. One thing is for certain as I watch Christophe set up a multi-camera sequence with dueling Technocranes: the shots are pure Gans. His eye is evident in every setup, and in every choice of lens (anamorphic 24mm seems to be a favorite). This is, without question, a Christophe Gans film.
[color=navy]Queda actualizado el post-it de SILENT HILL MOVIE.[/color]
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